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From the outset, the vast oeuvre of Tracey Enem (she, not to be confused at all) was consided totally inappropriate to our fine galleries, but her work, at the end of the day, when critically examined by our critical and economic theorists, was felt to be hugely financially exploitable. Proudly we present som examples here. Her new exhibition, 'Rubbish!
Her new exhibition, 'Rubbish!', features some previously appropriated and plagiarised items from the world of detritus - and some from corporate suppliers.
Of Tracey Enem more later..